Showing posts with label Bay Area. Show all posts
Showing posts with label Bay Area. Show all posts

Tuesday, June 28, 2011

Set Your Goals Drop the Feel Good Record of the Summer



Ever notice how bands that originally are born as "jokes" or "side projects" more often than not end up blowing up? In the early 2000s, I had more or less bailed on following hardcore in Northern California (because for the most part, it was well on its way to being the void of fun it is now), and for a while, the Bay Area wasn't really churning out even decent bands, much less bands that made any impact across the country. I had heard of Set Your Goals during my time living in Orange County and being out on the road, but the general feedback I got was that they were a fun, melodic band comprised of members of brutal bands that wanted an outlet to blow off steam and have a good time. I saw their name around and that they began to gain momentum and notoriety as the last decade progressed, but they still hadn't really crashed into my world and commanded my attention.

That all changed in February of 2007 when I saw Walnut Creek's finest with Lifetime and Shook Ones in San Francisco and watched the crowd at Slim's (a club in the City) explode when they took the stage. I hadn't seen a crowd in San Francisco that full of life for a local band since AFI gave up being a hardcore band and started playing mall-goth. Throughout their thirty minute set, kids were diving off of anything that was nailed to the ground, screaming along word for word with every song of the bands set (including a cover of Jawbreaker's "Do You Still Hate Me?" that got yours truly walking on heads), and got the floor moving so much that there wasn't anywhere you could stand without being at risk of losing your beer to a spin-kicking twenty-something. That night, Set Your Goals arguably out-responsed Lifetime, and that statement is coming from a dude who has two Lifetime tattoos. Needless to say, I was instantly a fan of the band, and see them as being one of the most interesting and impactful current Bay Area hardcore bands.

Since that fateful night at Slim's, I made a point to catch them whenever they played around town, and whether it was a headling show, a show where they were supporting someone else, or even when appearing on the annual summer shitshow known as The Van's Warped Tour, Set Your Goals stole the show more often than not. Clearly, there is something about this band that gets that kids pumped up and excited. Set Your Goals are honest, true, and energetic, which are three of the attributes that attracted me to punk and hardcore as a young blood in the first place.



Set Your Goals newest record, Burning At Both Ends, dropped today. Coincidentally, Taking Back Sunday also dropped their new self-titled record today. I bring this up because Taking Back Sunday have reached the heights of stardom playing hardcore influenced melodic punk (not so unlike SYG) and I've heard the two bands lumped together and "written off" or "looked down upon" for not being "hard" or for "being music for teenagers". Both bands probably draw from the same pool of fans, and share the same praises from the yaysayers and criticisms from naysayers. Taking Back Sunday are veterans with a lot to prove to a lot of people, while Set Your Goals represent a new generation of melodic hardcore/pop punk bands, rabid with energy, going for broke with nothing to lose. Attention Taking Back Sunday, welcome to your sundowning years. Set Your Goals are beating you at your own game.

Before I get into the meat and potatos of this review, let's just get a few things out of the way. It's 2011. No one is going to rewrite Start Today, Can I Say, I Don't Wanna Grow Up, or Jersey's Best Dancers again. Holding new bands to the standards of ground-breaking records of days gone by is lazy to me. Tastes can change, and people grow up and move on, but if you can't give a band like Set Your Goals a chance because you can't get over the existence of Gorilla Biscuits or Dag Nasty, you have a problem being boring and unfun. Punk and hardcore are somewhat limited in their genre, and holding new bands to standards that can't and won't be met due to how the times have changed is bullshit. Let yourself have a little fun and give the new kids a chance.

Burning At Both Ends is a great hardcore record with unique pop sensibility and sense of honesty in its music and lyrics that is absent from a lot of their peers. The band manages to blend pop punk accessibility with the tenacity and aggression of hardcore, filling their record with songs that breeze between being capable of modern rock radio airplay and spinkicking/stagediving insanity. Every one of these songs has the potential to be a breakaway single, and they manage to achieve that sweet spot without the use of gimmicks or putting what they hold true to their hearts in the backseat. The first single, "Certain", could hold its own next to anything Blink-182 ever did, and addresses the struggles of being young and in love without sounding forced, melodramatic, or like complete and utter bullshit. "Start The Reactor" is a bouncy homage to growing old and staying punk (something I personally found easy to relate to), and finishes off with one of the gnarliest breakdowns they've ever written. Overall, Set Your Goals has written a record that will ring true with teenagers well into their adult lives, as well as reignite and enkindle that spark hardcore left in the hearts of all of us who are growing old with it.



Burning At Both Ends hasn't left my iTunes or iPhone since I picked it up yesterday, and I look forward to seeing Set Your Goals wreck shop this weekend at the Mountain View stop of the Van's Warped Tour. If you're a young kid and are looking for your generation's Hello Bastards or an old fart looking for a reason to still care, Set Your Goals are waiting to blow you away.

Thursday, June 16, 2011

Deafheaven: Local Dudes Taking the K(vlt)orny Out of Black Metal

A little over a year ago, I was asked to be friends with a band called Deafheaven on Facebook. I didn't know anyone in that band, or anything about them, but they seemed nice enough, didn't SPAM the shit out of my news feed, so they remained my FB bros. Fast forward to now, after getting on some outstanding local shows and releasing a demo, they were picked up by Deathwish Inc, toured to SXSW, and found their unique brand of heavy yet dreamy black metal being well received by the masses at large. I ended up meeting the Deafheavendudes at a Lil B The Based God show in San Francisco, and after having an evening full of libations, yelling, moshing, and taking over a VIP bottle service table that as far as I know, none of us paid for (I know neither my friend Tommy, my roommate Greg, nor myself paid for it), we've remained friendly. Check em out:



I interviewed singer George LeSage for another online blog who never ran the story (which are the sort of frustrating music writer problems that lead to me starting Freelance Fiend), so I've decided to run it here. Their latest release, "Roads To Judah" is fucking killer, and available via Deathwish, from the band on tour, and probably from your nearest independent record store (unless it wilted away and died thanks to iTunes and the internet). Deafheaven are currently on the road through the end of July with Ken Mode. I'm pretty sure the final show of their tour is with Ringworm in Santa Cruz. Should be awesome. Anyway, without further ado...Deafheaven.

FF: You guys are a relatively new band. How did you guys get together and form Deafheaven?

GL: The band started as a project between our guitar player Kerry, and I. We recorded our demo with only having aspirations as having the band be a studio project. As time went along and we were met with new opportunities, it came time to find other members. We did that and now Deafheaven is a five member band who collectively make up the sounds on our new record.

FF: You guys play black metal and are associated with the hardcore scene to some degree, both being subgenres that can be incredibly resistant to change and innovation. You've shared bills with more traditional bands of both genres. Have you had trouble finding a place for yourselves in both musical contexts? Has the reception been warm, cold, or a mixed bag?

GL: We started this band as a means to play music we enjoy. A lot of people will say we're this or that, but at the end of the day, that's their opinion on our 'genre', not ours. We play with a variety of bands as well, but only because we're apt to and I enjoy it. In a musical context, I don't have any problem with finding a place for ourselves. Again, we do what we want and any genre segregation will only come from listeners. It seems as though the reception for the band has been either we're loved or hated. I don't pay much attention.

FF: Was garnering the momentum and notoriety as fast as you did expected?

GL: No, not at all. I'm still not completely certain on how much notoriety we've even encountered, but whenever we're in a new place or just talking with a new person and they ask, "So how are you dealing with all the hype around you guys lately?", I just think to myself, "...is there really THAT much hype?" That being said, I appreciate all the attention we've received over the past year. I've had a few surreal moments in the last couple of months, especially.

FF: What are some of your favorite bands to play with?

GL: Not very local, but The Funeral Pyre, Touche Amore, and Bosse de Nage. Those are my top three.

FF: Have you received any backlash in regards to how quickly you guys have come up?

GL: Actually, no. Well, none that I've encountered. Critics seem too fixated on the way I dress or comb my hair to worry about how fast we've come up.

FF: How did you guys get hooked up with Deathwish Inc?

GL: When our demo started picking up in circulation around the blogosphere, Deathwish had taken notice of it. We started playing shows and after our third or fourth one, received an email from them in regards to releasing something. It's been a pleasure since then.

FF: You guys did a number of shows at SXSW. Did you prefer playing the SXSW official events or the off the cuff house shows that bands often end up playing in Austin outside of the event itself?

GL: Both offer different things. The official events and parties lend to meeting a ton of great (mostly music industry related) people who have a genuine interest in your band and that's always fun. Plus you play with bands you've admired and have never had a chance to see until then. For us, the house shows were more of an opportunity to play to a crowd that was unfamiliar with us, as we played with bands that varied a lot from style to style. The house shows were fantastic though. You can't go wrong with house shows.

FF: What's the rest of 2011 look like for Deafheaven?

GL: Just waiting out the next couple of weeks until the new record comes out and touring from then on. Just announced our June tour with KEN Mode and our appearance at Sound and Fury in July, both of which I'm excited for. The Fall looks to be very promising as well.

FF: Any last words/shout outs/disses?

Gl: Just thank you to those who took the time to read this and for everyone's support over the last year. It's been overwhelming.

For extra measure, here's a full Deafheaven live set from a show at Vacation Vinyl in Los Angeles from March 4th, 2011. Cop their record and go to their shows because as we all can see here, they're fucking awesome.